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The Trap Is Sprung 720p
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After Malfurion had become trapped within the Emerald Dream for a prolonged period of time, Tyrande journeyed into the dream to rescue him. In the wake of the Shattering, Tyrande and Malfurion were wed and now lead their people as one. Together they supported the worgen of Gilneas in their return into the Alliance. Tyrande also restored complete night elf control over Ashenvale as a result of the Alliance-Horde war. However, following the burning of Teldrassil, Tyrande became the Night Warrior in response to the Horde's invasion of night elven territory and to claim justice against Sylvanas Windrunner and the Horde.
During the War of the Satyr, Tyrande explained to Ralaar the connections between Goldrinn's ferocity and Elune. When Ralaar and Arvell used the form, she asked Malfurion what their punishment would be. The archdruid responded that it will be the guilt for the deceased Sentinels. She then participated in a battle against the satyr where she witnessed the first worgen who destroyed the satyr's encampment but also attacked the elves. The night elven army had to flee. She eventually battled against the Alpha Prime and his feral worgen until Malfurion trapped them into Daral'nir using the Scythe of Elune delivered by priestess Belysra.[13]
Tyrande and a cadre of rangers join the Alliance forces landing on Pandaria. While there, she and her rangers begin to pursue a Horde party and eventually find them holed up in the Temple of the Red Crane.[39] In the A Little Patience scenario, Tyrande is urging King Varian Wrynn to take decisive action and charge the temple by force, before the Horde can completely fortify themselves or be rescued by reinforcements. However, Varian decided to take a more cautious approach and was able to lure out the Horde army from the Temple of the Red Crane and decimate them with the Alliance's hidden traps. The victory resulted in the annihilation of the Horde army and its commander with minimal to no casualties for the Alliance. After attaining victory, Tyrande acknowledges the wisdom of Varian's strategy and becomes impressed by his leadership. Tyrande then pledges the night elves' support to Varian's command.[40]
Recalling her home city's passivity during the War of the Ancients, when the elves inside Suramar erected a shield that trapped the other night elves outside their city while they were fighting the Burning Legion, and returning to find its streets now patrolled by demons that the Nightborne had later allied with, Tyrande has a fairly negative impression of both the Nightborne and Nightfallen exiles. In private, she called them "mana addicts" and said she left behind any regret for the ones that still serve the Legion after they went under Suramar's shield.[45] She is also concerned if Thalyssra will betray them and if she'll be any better a leader than Elisande or Azshara. Tyrande tells the nightfallen leader that her people will see the Legion defeated and the Nightwell destroyed, after which they'll go from there.[46]
Using her great mastery of time magic, Elisande traps the combined elven army in a time stasis and departs. Khadgar then works together with an Alliance adventurer to rescue Tyrande alone from the time bubble, and a Horde adventurer to rescue Liadrin. The rest of the army, however, remain frozen in time on the steps before the Nighthold, the battle lost.[47]
In the Ring of Transference, Tyrande declared that Sylvanas would begin her penance by scouring the Maw, freeing all of its trapped souls and sending them back to the Arbiter, all while she was watched by Dori'thur. This, Tyrande added, was how Sylvanas would bring renewal to her victims and to the night elves. Sylvanas accepted this and vowed that it would be done, no matter how long it took, then jumped into the Maw alongside Dori'thur to begin her work. Afterward, Tyrande reflected that this freeing of souls wouldn't have come to pass if she'd killed Sylvanas in Ardenweald, and that this might have been why Elune interfered. She thanked the Maw Walkers for helping set things right, then returned to Azeroth with Shandris and Maiev to begin "healing the kaldorei and preserving our future".[80]
The Panasonic PT-AX100U is the seventh model in a line of low-cost widescreen LCD home theater projector to come from Panasonic's laboratories in under five years. Starting with the original AE100, an 854x484 projector released in January, 2002, the Panasonic home theater projector line has progressed through increasingly higher resolution, higher contrast, and ever-improving video processing capabilities. Models have included the AE200, the AE300, the AE500, the AE700, and last year's AE900. The AX100U is the latest and by far the best in the line. One could argue that this is the single most influential line of digital home theater projectors ever brought to market. It features unique innovations such as Panasonic's "Smoothscreen" technology that completely eliminates visible pixelation. Moreover, with the AE700 we saw the first combination of horizontal and vertical lens shift along with a 2.0x zoom range which allowed for previously unknown installation flexibility. With its aggressive pricing strategies, Panasonic has hastened the erosion of competitive DLP 720p pricing and brought high quality, large scale home theater within the financial reach of the average consumer.Specifications ANSI lumens: 2000 Contrast (full on/off): 6000:1 with auto-iris Light Engine: 1280x720, native 16:9, 3x 0.7" PolySi LCD with a 220W UHM lamp. Video Compatibility: HDTV 1080p/60, 1080p/50, 1080p/24, 1080i, 720p, 576p, 576i, 480p. NTSC/PAL/SECAM. Data Compatibility: Computer resolutions up to SXGA. Connection Panel: One HDMI input, one VGA input, one set of component YPbPr inputs, one S-Video input, one composite input, one serial port, one kensington lock point, hardwired power on/off switch. Lens and Throw Distance: 2:1 manual zoom/focus lens with manual H/V lens shift. Throws a 100" diagonal 16:9 image from 9.9' to 20.3' Lamp Life: Unknown. Warranty: One year.
PerformanceThe AX100U delivers the most elegant and natural video image we have yet seen from LCD technology. By comparison, last year's AE900 was an incremental step beyond the formidable AE700, but this year the AX100U represents a very significant step to a whole new level of performance. Black levels are noticeably improved, and the subtle softness that we found in the AE900 is entirely gone. The AX100U's image is extremely sharp and clean.Deinterlacing was already extremely good on the AE900, and it continues to be so on the AX100U. We find no difference in performance between the two in this regard. However, scaling on the AX100U is significantly improved and the image is quite obviously rendered with greater precision than its predecessor. The AX100 is able to resolve standard definition resolution test patterns to near perfection, whereas the AE900 was not quite there. There is also noticeably less digital noise and better color saturation and openness in the midtone values on the AX100U when it is placed side by side with the AE900. Collectively, these improvements produce a much refined image that, to say it again for emphasis, looks both elegant and natural. The range of lumen output on the AX100U is exceptional. In optimized dark theater mode, our test unit measured 343 ANSI lumens. But in Vivid Cinema mode, which still retains exceptional color and contrast, brightness was boosted to over 800 lumens. And in Dynamic mode we were able to get over 1400 lumens without too much compromise in image quality. This would be ideal for a Super Bowl party where brightness in ambient light is all important, and small variances from color standards are not noticed by anyone. None of Panasonic's prior models in this line have anywhere near this range of lumen output flexibility. (The AX100U will actually generate lumen outputs higher than 1400, but we wouldn't use those settings for video viewing or gaming.)Panasonic's SmoothScreen technology eliminates any hint of pixelation, even at very close viewing distances. Historically, LCD technology has tended to manifest more visible pixel structure than DLP products of the same resolution. But here the situation is reversed. Every DLP 720p projector we have seen in our lab thus far has more noticeable pixel structure than does the AX100U.The Light Harmonizer feature is interesting, but it does not provide the full range of automatic adjustments to ambient light that the projector is capable of if you adjust it manually. For example, if it is operating in the low lumen Cinema 1 mode in a dark room, the introduction of ambient light will cause the projector to automatically boost lumen output by about 15%. However, if you go into the menu and select the Vivid Cinema mode, light output more than doubles. In addition, if you are already in Vivid Cinema mode, the Light Harmonizer does not have any incremental effect on light output. Therefore, the feature nicely accommodates a limited amount of ambient light introduced into a dark room, but it is not comprehensive enough to manage the projector's light output for all ambient light conditions.As far as fan noise is concerned, there isn't much to worry about. Even in its brightest operating modes, the AX100U's fan noise remains remarkably quiet. There won't be any users of this projector opting to run in lower lumen output modes in order to reduce fan noise.
ConclusionThe Panasonic AX100U is the closest thing to a truly universal home theater projector we have yet seen. Its 2.0x zoom range and lens shift capabilities make it easy to place almost anywhere in the room you might want it. And its exceptional lumen output range will allow you to use it in a wide variety of room sizes and ambient light conditions. If you have a very large room, say 30 feet in depth, you may want a larger screen to go with it. You can install a 150" diagonal screen, and still put the projector on a rear shelf. That can save you time, effort, and the cost of a ceiling mount and long run video cables. Meanwhile, the Vivid Cinema setting will allow you to fill a 150" screen with a rich, pixel-free image. On the other hand, if you have a smaller room, you have the option to run in one of the low power Cinema modes that are ideal for a 100" screen in a dark room.Though the versatility of the AX100U is one of its most distinctive characteristics, the ultimate satisfaction with this projector comes from its sharp, natural film-like image. In particular, standard definition DVDs look better than we've ever seen on any 1280x720p projector within this price range.We rarely rate any projector a full 5 stars across the board, but the simple fact is that we find nothing to complain about with the AX100U. Panasonic has combined outstanding image quality with unparalleled ease of use and versatility in a way that we've not seen before. And as of this writing it is all available for street prices under $2,000. Accordingly, we are happy to give the PT-AX100U our strongest recommendation.For more detailed specifications and connections, checkout our Panasonic PT-AX100U projector page. 2ff7e9595c
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